new york house maestro jacques renault is a old friend of the gomma boys. playing a lot of the german labels releases

jeremy duffy, the man behind the join the dots label and the duff disco edits is starting a new series of originals 12 inches on his own imprint duff disco, following some richly detailed house and disco outings on the likes of tenth circle, dikso and composite. the first offering from duff disco is a two tracker featuring a little more love & you shoulda known.

super powers are uniting on the new uy070! one track, four versions and all magic.my space - the floor monster- was created by our upon you man with the historical analogue-park: sierra sam.

amici ep heisst das erste kind von frieda. und genau das, was der name verspricht, findet sich auf dieser ep. in zusammenarbeit mit freunden wie alexi delano und bardo sind zwei hypnotisch- melancholische tracks entstanden, die über die ohren und das herz zu den nimmersatten tanzbeinen führen. denn genau dafür steht frieda ein, freunde, die gemeinsam eine gute zeit verbringen, sei es im studio oder auf der tanzfläche oder zur schlemmerei zwischendurch. aus diesem hintergrund kommen auch die beiden remixe von sebo & madmotormiquel, welche sich musikalisch perfekt in tante friedas musikalische welt einfügen. erfüllte gesichter auf der tanzfläche sieht und erlebt man auch bei san marcos sologang und so verspricht die komplette ep beste unterhaltung für die frühen morgenstunden oder die noch spannenderen späteren stunden.

armin fonscha & stefan hendry die mit ihrer debut vinyl ep deep vibes! als ob das nicht genug wäre hat man sich mit dapayk (mos ferry, stil vor talent), david pher (brise, kaato music), homebase und linus quick (tanzbar, underscore) noch ein dickes remix paket ins house geholt. hier dürfte wirklich für jeden was dabei sein. erstpressung kommt in limitiertem himmelblauem vinyl!

strictly limited white label straight outta stockholm, sweden! hnny, the man behind last years brilliant steve reich edit and smash hit for the very first time, once again brings the heat with boy, a perfectly executed house rework of one of our all time favourite 90s rnb jams. on the flip, studio barnhus founder kornel kovacs delivers yob, a chilling, dubbed out version of the same song.

incl. smash hit locked out of heaven !

limitiert auf 150 stück und handnummeriert! ich mag musik nur wenn sie frickelt, könnte man klangscheiben unterstellen. ach was, echtes liebhabertun, was das label da seit jeher veranstaltet. so geht es wohl kaum konsequenter, als dass man zum 30. jubiläumsrelease mit einem proper vinyl die untenrum-funky- gemeinde beherzt & technoid in die arme nimmt. in zeiten wo mp3-stick & sync-button echte dj-kultur zu zerstören droht, ist das eine ansage bester güte zum medium nummer 1 in sachen Ästhetik der tonverewigung. anfassen, rühren, servieren, schmecken und wieder von vorn. mit dieser vÖ. tritt das label den beweis an, dass der zacki-schnipp sound, der einst irgendwie in einem großen fass von billig-fuselwodka mit dem etikett minimal ersoff, keine patina angesetzt hat. im gegenteil leute, das kommt wieder und besser. denn irgendwann hat es sich ausgedeephoust und ausgepopt mit billigedits und ringelreihebeats... ach nein, sie ist noch da, diese soundphilosophie, und hat sich, wie auch liebling ark immer wieder beweist, von überfüssigen schnick-schnack-gezischel-ambitionen befreit. so auch hier: raw, deep, dirty, mit vier kratzigen energiebatzen den floor zackig abfüllen. vier frisbee-scheiben, die aus den boxen gedreht kommen, als könne man sie nie auffangen. der kleine mann im ohr und kopf fängt sie aber bestens auf. mit besten empfehlungen: oliver goldt

an unmissable 12 inch collection from legendary soul-jazz organist charles earland. first up we have the wonderful over and over. co-produced by organist earland and randy muller, the man behind brass construction and skyy, this nine-minute masterclass in jazz-funk greatness was as big on the uk all-dayer scene as it was at david mancusos loft and blows up any dancefloor today. over on the flip is steppers delight, the classic anthem let the music play. released in 1978, this superbly fast and furious jazz-funk workout blasted onto the disco and club scene leaving a lasting impact today. last, but not least, intergalactic love song brings the tempo right down with a great spacey sound which doesnt lose earlands unmistakeable signature keys and sleek jazz style. essential!

broken bones wurde 1983 von mitgliedern der einflussrichen hardcore/punk-band discharge gegründet und fügte dem sound eine metal-komponente hinzu. die dem bones lp erschien ursprünglich 1984 bei fall out records und wurde von clay records- und discharge-produzent mike stone produziert. das album erscheint nun im originaldesign als klappcover und als neugemasterter direct-metal-mastering-vinylschnitt.

hit it & quit its main man frank booker with a double header for razor-n-tape: hand stamped label

a double ep release from the classic music company, mixing together friends old and new from the label. recent signings to classic, no dial tone deliver their second original production to the imprint - standing still – a deep slow burning almost bjork-esq vocal record kicks off the a side. long time label cohort from the early bar rumba days, mathew herbert twists and turns the record into something completely herbert and ultimately classic in its make up. on the flip…long-time greenskeepers man james curd returns to classic with nothing short of a bump! gentle help is typical curd funk and now with added black madonna flavours. road tested relentlessly at the smart bar, the chicago native channels the essence of old dance mania records and funnels it into something typically a little left of centre. each track is uniquely different and recognisably classic.

for its ninth release popcorn is proud to present the second ep of the man from koeln that we do not introduce anymore: daso. this artist who became a real friend and mainly one of the head artist of the label is one of the talented producer in the recent electronic music circus. immer, the main track of this release, gathers a collection of generous and deep sounds sprinkled with hypnotics’ synths: no mistake. the italian nico lahs (ovum, poker flat…) gives us a brilliant own interpretation playing with the bass through acid touches. definitely underground. schub the second original of this opus confirms dasos potential to produce deep house. strong original themes, romantic piano, voices and rollands drums are a sweet taste of springs. chordster is the last original but not the least. the lead piano drives the acid snare all along the track. the result is more than effective and brings your mind right into dasos universe, forever.

acid tests first release of 2013 features two acid tracks from the mad french man (his first release outside of his own atavisme imprint in 10 years!). > lifting weights< b/w > mujeres nerviosas<. all instruments by pepe bradock, recorded in la, assembled in paris. limited number (first 500) hand painted jackets (with label art from pepe himsel

championsound continue to blaze a trail, showcasing some of the hottest new talent to emerge from irelands vibrant music scene!! following hot on the heels of the premiere release on champion sound in 2013 , next in line comes the work of prolific northern irish producer, t-polar, whose previous releases on acroplane, saigon recordings, morris audio, !kaboogie records and rebirth garnered the support of everyone from mary anne hobbs to 2562 to boddika. in keeping with his previous output and adding to what must surely be irelands deepest discography in electronic music (dating back to 2004), t-polar (aka gary spence) releases feetwork, an ep which hop-scotches genres, roughened up by the searing properties of hoover bass, teamed with tough, rolling kicks, nods to leftfield house and vintage rave, and peppered with skittering two-step grit. the remix in the pack comes from the increasingly ubiquitous unknown whose youtube uploads and remixes have been setting the internet alight with speculation.

in recent years spanish producer baldo has built a great style and following in the modern house scene, catching the attention of andrade who has recruited him for this fantastic new five tracker ep called far away. with a well developed sensitivity, baldo has featured a sensual combination of house and susceptible feelings to create an outstanding and very special cocktail. three crisply produced tracks likely to spoil the senses with delicate melodies and bass-driven sound. the music speaks for itself. once again we welcome our friends on the remixes. hold youth main man, le loup, the protagonist of the paris scene and known for his releases for wolf+lamb, eklo and fragil, re-creates a dubby version of in the crowd, setting an impressive atmosphere and deeper experience.

the italian gang strikes again: wilson-mastermind fabio monesi got his hands on some real badass 90s house by the italian house pioneer enrico mantini.

the 19th release on we play house recordings (not counting the vinyl-only coloured ones) comes from two trusted label names: wph s welsh man with various plans luv jam and srf inc, a moniker for german wunderkind dynamodyse.

(180 gr heavy weight vinyl, includes cd & insert) fans of singer-songwriters like mark lanegan, dan auerbach and edward sharpe will fall head over heels for ians intriguing story-telling.

dj rashad has been instrumental to the creation and evolution of chicago juke music and has been lifelong friends with other key players on the scene, such as paul johnson, dj gant-man, dj spinn, dj godfather, and jammin gerald.

a musical journey around the globe with music from oi va voi (london), arthur lee (memphis), manolis hiotis (athens), baba zula (istanbul), manau (paris), (dunkelbunt) (vienna), axel krygier & tremor (buenos aires), watcha clan (marseille) ... on a limited edition vinyl (incl. cd album) - only 150 copies available for distribution! many songs are available for the first (and maybe last) time on vinyl!

nach vier alben, die beim legendären john-zorn-label tzadik erschienen, fallen einem bei koby israelite begriffe wie eigenwillig , genial , produktiv , avantgardistisch und passt in keine schublade ein. aber letztlich ist der in israel geborene südlondoner - dessen musikalische reise vom klassischen klavier über den jazz zu speed-metal-drumming bis zum akkordeon führte - ständig auf der suche nach dem perfekten sound. und hierbei spielt es keine rolle, ob dieser von black sabbath, beethoven, bluegrass oder den rumänischen roma inspiriert ist. der sound ist dabei von eindringlicher schönheit, unterstrichen von der schwermütig klingenden armenischen duduk und einem wehmütigen akkordeon, und verbindet die liebe koby israelites zur musik des balkans und dem blues. jenseits des kantigen zusammentreffens von stilen und einflüssen - das album will nicht jedem und immer gefallen - findet man sich in einer welt wieder, die von einer einzigartigen musikalischen vision zusammengehalten wird, die gleichermaßen mutig wie kräftig, fremd wie süß ist.

4 fantastic trax done by one of the best deep house producer right now : montel. being an avid record collector and dance music enthusiast for nearly 20 years, montel has slowly but surely cultivated his craft. feeling all nostalgic after his 20 year love affair with house music, he felt it was time to find a creative outlet for his sounds. not concerned with topping charts, being in the playlists of top djs or winning social networking popularity contests, montel is a man of simplicity. his only objective is to give back the good vibrations, making music for djs and dancers. music for sweaty basements, house partys and day time raves. nothing big, nothing clever.. just vibes

raw and hypnotic soundscapes in the fifth outing from the impeccable kawl series. four slamming tracks of dub infected techno, coloured with tinges from berlin and detroit. devastating dark and bleepy remix action from man of the moment, mattias fridell.

vagabundos, the dj, club and event collective from lucianos cadenza stable, returns for its biggest year yet.

dj sprinkles ist das deep house-alter ego von terre thaemlitz. terre thaemlitz ist multimedia-produzent, dj, theoretiker und transgender-aktivist. bekannt wurde der amerikaner um die jahrtausendwende mit einer reihe hochgeistiger, durch sueffisante essays begleitete konzeptalben

another 7 inch roots release from the archives, this time featuring mike brooks in conscious roots style on an up-tempo rhythm track, re-mastered at phat dubz studio prior to release and on the flip side a dj-style version featuring dennis alcapone & earl16. the single is supplied in a picture sleeve and on transparent vinyl.

albinos has now been meaning to open communication channels with the baka pigmy tribe for quite some time, sadly to mixed results… this indeed represents a rather difficult task considering their take on the devil is a tall white man graced with white hair and red eyes! even though the baka people is a peaceful one, the legend goes that if they were to catch that albino devil, they would gut its organs out and turn those into an aphrodisiac concoction. strangely enough, albinos believes that his music just might be the best language to turn those antagonistic feelings into a communion, he even dreams of performing his tunes to the whole tribe, deep within the jungle, surrounded with exotic birds and the most hungry kind of predators! somewhat at times on the verge of irony, his music definitively trades with sketchy, raw and deep emotions, always sincere in the making: always a few steps away from the pre-shaped house and techno idioms, he offers his very own take on dance music, a most peculiar one. solely using old cheap hardware and an antique atari, the tracks at hand are one-take live performances, brutal incarnations of albinos simple virgin vision. as the quest for the baka people goes on, the antinote team is proud to help shed light on the journey of this obscure producer hailing from the grand north.

the man from bologna makes his second appearance on internasjonal spesial and so it doesnt have to waste no time with friendly formalities but storms right into the middle of the night with the lethal tracks disko frisko and labyrinth disco - titles that dont hide their intention nor inspiration

jtc is a phenomenon. one alias of the multi-talented tadd mullinix. one part of a mind that also houses dabrye, sk-1, charles manier, and halves of tnt, 2am/fm and x2. this time round, on park days, he flexes a house side that has not been seen too often in his career of 13 years. whether the driving groove of south brooks, the late night drum machine jam of argo, creals ever evolving scatter, or the delicate gallup, park days is one of those records where everyone has a different favourite. ie - a good one. we are honoured to release this mans music. a man that continually remains out of the spotlight, yet is revered by your favourite producers for at least one of his many aliases. a man that ignores trends, hype, trickery, and just returns every now and again to nudge that bar a little bit higher than he left it last.

hailing from australia, late night tuff guy has taken the edits world by storm with his tasty reworks of classic tracks from across all genres adding his own special touch to each production.
the first ep sees a selection of reworks hand picked by the man himself as a fitting start to the series. pressed on 12 inch vinyl with a hand stamped label and in a white card sleeve with paper inner. the first of many from lntg.

if the parquet album saw them delivering a unified vision of dancefloor purity to massive acclaim, cashmere now takes elektro guzzis signature man-machine sound up a notch!

the prodigal prince of flying fauna. the illegitimate child of zeus, whose lingering melodies have enchanted man anonymously since the dawn of time, only to explode into the psyche now with deep, thundering, bass-hooves of fury.

nice price deal !!! keno trax is the new keno records imprint that has moves the focus more to the dancefloor oriented, functional tech house. enzo siffredi, our man from brighton shows us his big talent as a producer. being a dj since many years he knows what will make the crowds move.

part 3 of the chiwax classic edition comes from the maestro of chicago house music, mr robert armani.

when wncl012 hero, kevin mcphee, dropped the unreleased bobby champs dubplate of *krenshaw* in his boiler room set last year, the cassette library instantly knew that they had found their lucky star for wncl013. with his trademark boxy drum sound littering the contents of this ep, the man who likes *…making songs that make you want to dance* has done it again.

three superb re-edits from karim, the man destined to become the new todd terje. *all the joy that you bring* is everything that is good about disco with none of the cheese. flip then for the pure soul and heavy funk of lou johnsons *the beat*. then to round off perfectly we have got a great instrumental of grand master flashs classic *the message* this is a huge release!
pressing on coloured & marbled vinyl.

since tobi kramer rocked the format b remix contest he has been basking in the brilliance of his remix for socks and sandals. it is no surprise that the two label bosses wont let go of this young man from lower saxony, though one searching for reasons need look no further than his formatik debut ep eye patch.

sugar jim jr.: dj, founder, event manager, movin�e gu.nther (one part of tricky fixin�f), head of it all. this man knows what works in the club, has also built a few dance temples with his own hands. awesome dude! music wise? very simple. deephousedisco & 6 a.m. euphoria!

benjamin damage liefert mit seinem solodebüt >heliosphere< ein sonic-sci-fi-techno-album ab, das nicht nur an die frühen plaid, black dog prod., boards of canada oder luke slaters 7th plain-projekt erinnert, sondern auch an dancefloor-klassiker von surgeon, regis, dave clarke oder jeff mills, die bekanntlich genau wussten, wie man die leute zum tanzen bringt. das album atmet den sound von 1994, ohne dabei zu vergessen, dass wir uns im jahre 2013 befinden. tanzmusik mit Überzeugung und ein geradliniges und schönes werk.

benjamin damage liefert mit seinem solodebüt >heliosphere< ein sonic-sci-fi-techno-album ab, das nicht nur an die frühen plaid, black dog prod., boards of canada oder luke slaters 7th plain-projekt erinnert, sondern auch an dancefloor-klassiker von surgeon, regis, dave clarke oder jeff mills, die bekanntlich genau wussten, wie man die leute zum tanzen bringt. das album atmet den sound von 1994, ohne dabei zu vergessen, dass wir uns im jahre 2013 befinden. tanzmusik mit Überzeugung und ein geradliniges und schönes werk.

disko404 is a long-established promotional crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. in 2012 they branched out as a record label, launching with a well-received split ep from sun people & franjazzco, followed up by simon/offs *take it back* ep. the labels third release comes from legendary broken beat and drum & bass producer colin lindo, aka nubian mindz, aka alpha omega. the man needs no further introduction as he is known for his brilliant releases on labels like reinforced, 2000black, archive, delsin and many more. *hacker wacker* is hypnotizing with sharp beats and a dubby, bleepy, broken techno vibe ready to take you on a sweaty late night trip. *vox & cymbal* is true listening bliss, a timeless tune centered around warm detroit chords, downpitched vocals and spiralling synthlines, sending you on a dream-like journey. vinyl pressing strictly limited to 250 copies only. early support from scuba, untold, and 2562.

mule musiq now proudly presents eleven unreleased compositions by roedelius produced between 1990 and 2001. all of them are pearls of electronic deepness that show another side of the man that lives in the little lower austrian town baden. his famouse ultra sweet piano melodies can be heard – but they are not the centre of the productions. instead a more electronic side of his genius call the tune. with a minimalistic approach he let synth melodies highfly while some droney, melancholic atmospheres enlarge in the background.

moire ist das neueste signing auf dem actress label werkdiscs. never sleep ist die debuetsingle für moire und featured u.a. heidi vogel, die man auch von tosca kennt, an den vocals. on top gibt es noch einen starken actress remix auf der b-seite. check it out!

the founders of lets play house records—new yorkers jacques renault and nik mercer—have started a new imprint in an effort to continue pushing the envelope and expanding their stylistic reach. g.m. is a vinyl-only label that will exist for eight installments, each one signifying a different phase of the moon. the releases will vary in tone and aesthetic, but, suffice it to say, each will be harder and heavier than what lph proper puts forth. the series commences with four bombastic, techno-leaning barn-burners by a man who goes simply by almost. g.m. guarantees that they will tear up any club floor.

eclectic avenue welcomes the inimitable lil mark, one of the true stalwarts of the uk house scene & regular contributor to some of the finest imprints worldwide. here mark expertly shows his unique knack for genre-straddling. kicking off with pulling strings more familiar lil mark territory, with his trademark tight-as-hell percussion & firing bass sat below a freaked-out twisting riff. seriously, this bad-boy takes no prisoners....other than the ones on the dancefloor.... on the flipside we are treated to memoirs, a beautifully sumptous lo-slung roller, utilising a vox refrain over the top of a glorious rolling bass groove. like being comforted by a welcoming acid-bass-hug, this is truly something special. nestled inbetween marks original cuts is e.a.r. main-man j.cub, who offers up an alternate interpretation of memoirsl. taking the vox refrain & weaving it throughout the track like an instrument, j.cub nudges the tempo up slightly & adds a solid percussive backdrop & a reworked bass groove, creating a cut which is deep enough to warm the crowd but packs a solid punch at the same time

upon the first listen, the work of fernando unfolds directly on your brain and leaves a long lasting feeling of drama. fernando pulichino is one those lucky guys who can pick up any instrument and write songs without breaking a sweat. he first caught my attention with a remake of the bauhaus classic kick in the eye released on redux in 2008. he then backed up this great start with releases and remixes for labels like international feel, under the shade, internasjonal and nang. he also very busy touring as part of the 2020 soundsystem band and he is also in silver city with julian sanza.
we decided to put together a long player to highlight the talents of our man in buenos aires. the construction of *float* reveals an astonishing wealth of musical ideas, brazen touches of new wave and icy modern disco sounds are evident throughout. low slung basses are also a theme that runs right through *float* whether it is the opening song *a place* which has a monster electronic bottom end or *from out there* which sits firmly on the punk funk dinner table, bass lines are clearly important to fernando.